Summer Show: Agam, Arden Quin, Chiggio, Massironi, Mérida, Salazar, Schoffer, Shor, Ugarte.

8 July - 27 September 2025
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  • Espace Meyer Zafra is pleased to present our Summer Show bringing together the works of Yaacov Agam, Carmelo Arden Quin, Ennio L. Chiggio, Manfredo Massironi, Manuel Mérida, Francisco Salazar, Nicolas Schoffer, Shirley Shor and René Ugarte.

    • Manuel Mérida, Cercle bleu Cyan, 2023
      Manuel Mérida, Cercle bleu Cyan, 2023
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    • Manuel Mérida, Cercle Cuivre, 2022
      Manuel Mérida, Cercle Cuivre, 2022
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    • Manuel Mérida, Cercle rose pâle, 2019
      Manuel Mérida, Cercle rose pâle, 2019
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    • Manuel Mérida, Cercle Bleu Bermuda, 2025
      Manuel Mérida, Cercle Bleu Bermuda, 2025
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    • Manuel Mérida, Cercle Rose Tyrien Clair, 2014
      Manuel Mérida, Cercle Rose Tyrien Clair, 2014
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    • Manuel Mérida, Cercle blanc , 2016
      Manuel Mérida, Cercle blanc , 2016
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  • Honored for its aestheticism and for its captivating effect on the viewer, and despite the marginalization of his work that we often like to associate with kinetics, the work of Manuel Mérida remains of no less importance in the history of art. - Hervé Mikaeloff

     

    The artwork Cercle Cuivre, was exhibited at the Fondation Villa Datris in 2023 in a special installation made especially for the show Mouvement et Lumière #2

     

    • Ennio L. Chiggio, Truchet / Cloud #5, 2011
      Ennio L. Chiggio, Truchet / Cloud #5, 2011
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    • Ennio L. Chiggio, Interferenza Lineare 7.1, 1966-2003
      Ennio L. Chiggio, Interferenza Lineare 7.1, 1966-2003
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    • René Ugarte, Rupture d'un plan rouge, 2022
      René Ugarte, Rupture d'un plan rouge, 2022
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    • Ru Rpr13
    • René Ugarte, Plan Bleu, 2024
      René Ugarte, Plan Bleu, 2024
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    • Ru Pb1A
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    Sensitive and sober, the work of Rene Ugarte (1951 - ) is the fruit of a coherent reflection and a rigorous discipline. Based on the concept of structure, his paintings, executed on canvas and wood, reveal a simple configuration: the use of pure forms (square and rectangle) and the line in an alternative and repetitive way. Ugarte is developing a network of lines that cross the board horizontally, vertically and diagonally. The diagonal that he uses in a systematic way allows him to accentuate the dynamism of the work. Through this network of lines, orthogonal shapes determined by solid colors appear. Nevertheless, this rigorous geometrical structure which gives the painting an impression of balance and visual unity, is none the less illusory. It is the imbalance, the asymmetry, the destructuring that the artist seeks in his work. So he plays with ambiguity and dynamics to acquire a greater presence in space and come to a new reading, a discontinuous reading of his work. 

    • Shirley Shor, Hyperelief 3, 2015
      Shirley Shor, Hyperelief 3, 2015
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    • Shirley Shor, Hyperelief 4, 2015
      Shirley Shor, Hyperelief 4, 2015
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    • Shirley Shor, Hyperelief 5, 2015
      Shirley Shor, Hyperelief 5, 2015
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  • Shirley Shor belongs to the generation of contemporary artists who use new media to redefine the boundaries of art. Computers are thus used as vehicles in their own right for artistic production. Shirley Shor's works can be presented as follows: using computer code, the artist generates constantly evolving liquid environments and architectures. This early work, with its shifting colors, has evolved into a series of striking impressions. These paintings and installations offer visitors unexpected moments. Shirley Shor also conveys powerful messages about conflict, language, the passage of time, and the lives of women in today's society.

    • Yaacov Agam, Espoir, 2003
      Yaacov Agam, Espoir, 2003
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  • Nicolas Schöffer is considered the founder of Cybernetic art, his work merges aesthetic and cybernetic concepts with great success. He studied painting at the School of Fine Arts in Budapest and later at the School of Fine Arts in Paris, where he resided for most of his life. The metallic sculptures that he created in the nineteen forties have references in Constructivism and Neoplasticism, and through them, he began to explore the relationships between tridimensional sculptural forms and the fourth dimension of time and movement.
     
    • Carmelo Arden Quin, Sin Titulo, 2004
      Carmelo Arden Quin, Sin Titulo, 2004
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    • Manfredo Massironi, Collage con greca, 2002
      Manfredo Massironi, Collage con greca, 2002
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    • Nicolas Schoffer, Relief Revesad 1981, 1963
      Nicolas Schoffer, Relief Revesad 1981, 1963
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    • Nicolas Schoffer, Relief sériel 19, 1962
      Nicolas Schoffer, Relief sériel 19, 1962
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